After spending the best part of the '90s gurning to Oakey in The Courtyard, it has been quite some time since I have been to Nation and was unsure how it would be under new management.
As I've never had a bad night at Circus's nights in the Masque, the night promised to be good and the lineup was first rate.
We arrived at Nation at around 11.30, the night was completely sold out so we were expecting it to be really busy. The queue for internet-bought tickets and guest list had a waiting time of about 10 minutes.
We first headed to the main room which was packed, where Felix Da Housecat had already started.
I knew I had friends wandering around but didn't think I'd easily find them, so it was nice to bump into them left right and centre, particularly when they all congregated in the Courtyard for Eric Prydz. He was an unexpected treat! After only hearing his chart releases I really didn't pin much hope on a good set but was set straight soon after stepping into the courtyard. It was so busy it was difficult to get a spot to get in your dance swing where you weren't be jostled, but the crowd was really getting into it and the atmosphere was buzzing.
I wandered between rooms for a while to see what was on offer. I ended up back in the Courtyard to see Paul Woolford who really got the crowd going with his eclectic, original house.
Wanting to make sure I still had enough energy left to dance, I was a bit disappointed that SOS were on in the Annex at 3am (legs just aren't what they used to be!) I've been a massive Desyn Masiello fan since hearing his seminal Essential Mix in 2004, but I've only has the pleasure of seeing him once, as he hardly seems to venture up North and over the last 18 months he's taken some time out to produce and work with the other SOS members, Omid 16b and Demi. However they didn't disappoint. As they were on last the crowds had dispersed a bit so there was room to dance. The crowd loved them and everyone seemed to be big fans. I spoke to a guy who had never heard of them before but was really impressed.
In the Main Room, Groove Armada really got the crowd jumping with Superstylin' and all who saw them said they were brilliant.
Armin Van Helden took it back to the Oldschool with 'House of Pain' and 'We Want Your Soul' and the Courtyard loved him.
I was expecting to see some cracking fancy dress outfits but was sorely disappointed, the most shocking thing I saw all night was a guy buying two bottles of Smirnoff for £250!!
Must have had a good night as my ears didn't stop ringing until Monday.
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An amazing collection of dance and crossover tunes from the 90s, '90 Club Hits From The 90's' is a much-needed 4 CD album packed with top club hits from the era that brought you the most hedonistic super-clubs, the biggest earning DJ's ever and the coolest remixes!
With tunes from Armand Van Helden, Robert Miles and Faithless this album encapsulates the absolute best of 90's dance music for the first time all in one package. For anyone who lived through the 90's, reading the tracklisting is like reading a who's who of the dance music charts, with songs such as Professional Widow by Tori Amos, Missing ' Everything But The Girl and The Brand New Heavies ' Dream on Dreamer, surely nothing can define an era more than this album?
Highlights include Baby D, Armand Van Helden, Berry, Orbital, Grace, Stretch n' Vern, Josh Wink, Lisa Marie Experience, Rui Da Silva, Sonique, Wamdue Project, Olive, Moloko, Corona, K Klass, Deee Lite, Robert Miles, Faithless, Tori Amos, Mario Piu, C&C Music Factory and much much more'
Club Connected rating 7 out of 10. An interesting journey back to the 90s.
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Believe the hype ' the warehouse project is back and this time its bigger and better then ever. Manchester's biggest series of nights has landed on the city again but this time in a new venue beneath Piccadilly station right in the heart of town. For everything the Boddingtons brewery lacked, beneath the streets makes up for plus more ' more bars, better sound system and more places to crash out and flake, for those points in the night were all you can do is chill out and listen. Contained within a series of arches and tunnels, the venue has gritty industrial excitement to it; more intimate and more involved with the audience. Although the capacity is smaller then last year, the slight decrease in size only makes the venue better. Coupled with more intense visuals and cracking line up, the warehouse project is the only place to seen this year.
For those of you who are familiar with resident Manchester night Ape, the line up will come as no surprise. Only on the Manchester scene for two years, launched as the brainchild of well established Manchester promoters, Sam and Lee aka Sabre, Ape reputation has exploded beyond belief, regularly filling venues of a capacity of over 2000 people. It combination of brakes, D n B, MC's and basically any thing with a good beat and base has kept Manchester's party army happy for the past two years. And tonight was no exception.
Arriving around eleven, the event was already well away. Hidden underneath the entrance to the station, it lacked the ques and security presence there was at the previous location. The surprise of the night was the last minute addition of Manhattan notoriety and chart favourite Mark Ronson, who despite sound problems went down a storm. But name of night had to go to Ape favourite DJ Yoda whose combination of classic tunes and deep beats was all round favourite ' who else could get away with dropping some Dolly Parton in the middle of a set and make it sound so good!!! The end of the night steered more toward harder breaks and drum and base, with only the hardest of drum n base fans remaining for high contrast and jungle drummers closing sets. Notable mention has to go to Exit Festival favourites Stanton warriors, who brought that festival feeling back to UK for a stunning set.
All in all, ape did not disappoint. The eclectic range of acts coupled with a top venue meant that the third weekend of this year's warehouse was one to remember. A high standard was set for the weeks to come, so make sure you don't miss out.
Sat 13th October
The Ape 2nd Birthday
High Contrast
Mark Ronson (just added)
Subfocus
DJ Yoda
Foreign Beggars [ Live ]
Q-bert
DJ Kentaro
Stanton Warriors
DJ Food
Youngblood Brass Band [ Live ]
Jungle Drummer Vs DJ FU
Rich Reason
9pm - 5am ///
£15
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Judgement Sundays have always been a highlight of our previous trips to the island. For months leading up to this year's holiday our eyes had been firmly focused on the Ibiza Party Calendar to check who was part of the line up. This year Judge Jules, Eddie Halliwell, Fred Baker and BK had been brought
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Since it started back in 2002, Coloursfest is now a regular fixture in the UK clubbing calendar. The festival is held at the Braehead International Arena alongside the banks of the River Clyde right in the heart of the old ship building area of Glasgow and about 10mins from Glasgow International Airport.
We left from Liverpool in enough time to get to the festival when it opened, but as usual, we struggled to find where we had to be. We found it in the end, but were quite surprised to find it was right in the middle of the shopping centre on an industrial estate. The site is actually part of the Braehead Shopping Centre, which was a little strange as thousands of clubbers were entering the festival in the early evening, people were still doing their shopping and we had to share the same Tesco car park.
We went to get our tickets to find out that they hadn't put our names down on the list to do the review and had to wait until they could find a radio to sort it out. It wasn't long before it was and we all went in. There was a heavy police presence, maybe because of the very public location, or maybe this is just the way it is in Scotland, I'm not sure. We all had to queue up in single file whilst we walked past the police cordon and the police dogs sniffing everyone individually as they walked past. It did take a while to go through, then the little spaniel stopped on me and two policemen came over and took me away into a nearby tent for some questions and a search. It didn't take too long to sort this out and get in, and I even managed to blag a bottle of free water from them on my way out. We hadn't even got in yet and we've had so many obstacles already!
Yeah! We had finally all got in and we went straight away to get a drink and a line-up to see who was on and when. There were six arena's/tents; The Colours/Inside Out and the Back to the Future arena's were the big ones, followed by the Bedrock and Soma Tents, then Hed Kandi which were upstairs and the Nuklear Puppy area which was outside alongside the river.
You had to buy tokens for drinks and the queue was quite large, so when some of the group went to queue up, we wandered round the outside to check out the site. It wasn't a very big outside area, sort of a long strip and at times became congested. We wandered down to the river and came across the Nuklear Puppy area; which was actually an old Green Goddess fire engine converted so it had a DJ booth in the back. Cool. We chilled out there for a while, only to glance over and see Saddam Hussain and Osama Bin Laden staring at each other from across the boardwalk. Next minute they ran towards each other and started play fighting. It was quite funny as it came out of the blue.
We met up with the rest of the group and then made our way into the Colours/Inside Out arena to see Tall Paul. The arena was massive, sort of like a large basketball arena with thousands of seats all around. We walked into to hear Tall Paul playing Gechts Nocht? followed by a new remix of Pump up the Jam. We stayed there for a while and saw Mallorca Lee & David Forbes, then Mistress Barbara after them. We went to check out the Bedrock and Soma Tents after refuelling at the beer tent. The two tents were next to each other, identical, both the same size, both white with just a small square sign stuck onto each one to distinguish between them both. As you can imagine, this caused problems as the night progressed. Several times, I found myself in the wrong arena, thinking I was in the other one. Not very clear for the average clubber when they've been partying for several hours! Jimmy Van M was in the Bedrock tent when we first went in. The tent was cool, about half-full of dedicated ravers. Hipp-e was playing the Soma tent as well, which was good. Both of these tents employed a lot of use of smoke, possibly because of the numbers of people, to create a better atmosphere whilst neither of these tents were really that busy most of the night - which was a real shame as the music was excellent.
We wanted to see all of the different arena's at the festival, so we went to queue up to get in the Back to the Future arena, which was inside upstairs. We waited for about 20mins to get in. This was the most popular arena along with the colours/Inside Out one. These were both packed out all night. The atmosphere was really good in the Back to the Future arena, although it wasn't really my kind of music everyone in there seemed to be really enjoying themselves. We went in there and caught the end of Technotrance and then Ultrsonic (Live) after them.
The last arena we visited was the Head Kandi room, which again was inside upstairs. The room was busy, decorated well as usual by the Hed Kandi crew and there was a good atmosphere. We stayed there for a bit, then headed off to refuel again. As far as we could tell, there was only one set of cabins to buy tokens for drinks, so there was a need to make a move as this could take a while.
We spent most of the remainder of the festival moving between the Bedrock and Soma tents. We went to Francois K playing in the Soma tent. He was using a laptop with Ableton Live. From what I can remember; he played remixes of Alter Ego ' Rocker and Green Velvet ' La La Land. He had built up a really good atmosphere in there, but again the tent was lacking in numbers - but wicked regardless. After that we saw Derrick May in Soma playing to one of the bigger crowds of the night, Luke Fair in the Bedrock Tent; Justin Robertson blasting out Chemical Brothers 'Battle Weapon 7 in Soma and then finished the night listening to Hernan Cattaneo in the Bedrock tent.
It was good to experience the Colours festival, the line up was good and the crowds in Scotland are always up for it and make you feel welcome. Hopefully they will change the venue next year as I feel it put certain restrictions on the festival and could be a better move if they did this. We had had a wicked time none the less, apart from when we had to make the long journey back home. . .
By Stu Bradley
Related link: www.colours.co.uk