After spending the best part of the '90s gurning to Oakey in The Courtyard, it has been quite some time since I have been to Nation and was unsure how it would be under new management.
As I've never had a bad night at Circus's nights in the Masque, the night promised to be good and the lineup was first rate.
We arrived at Nation at around 11.30, the night was completely sold out so we were expecting it to be really busy. The queue for internet-bought tickets and guest list had a waiting time of about 10 minutes.
We first headed to the main room which was packed, where Felix Da Housecat had already started.
I knew I had friends wandering around but didn't think I'd easily find them, so it was nice to bump into them left right and centre, particularly when they all congregated in the Courtyard for Eric Prydz. He was an unexpected treat! After only hearing his chart releases I really didn't pin much hope on a good set but was set straight soon after stepping into the courtyard. It was so busy it was difficult to get a spot to get in your dance swing where you weren't be jostled, but the crowd was really getting into it and the atmosphere was buzzing.
I wandered between rooms for a while to see what was on offer. I ended up back in the Courtyard to see Paul Woolford who really got the crowd going with his eclectic, original house.
Wanting to make sure I still had enough energy left to dance, I was a bit disappointed that SOS were on in the Annex at 3am (legs just aren't what they used to be!) I've been a massive Desyn Masiello fan since hearing his seminal Essential Mix in 2004, but I've only has the pleasure of seeing him once, as he hardly seems to venture up North and over the last 18 months he's taken some time out to produce and work with the other SOS members, Omid 16b and Demi. However they didn't disappoint. As they were on last the crowds had dispersed a bit so there was room to dance. The crowd loved them and everyone seemed to be big fans. I spoke to a guy who had never heard of them before but was really impressed.
In the Main Room, Groove Armada really got the crowd jumping with Superstylin' and all who saw them said they were brilliant.
Armin Van Helden took it back to the Oldschool with 'House of Pain' and 'We Want Your Soul' and the Courtyard loved him.
I was expecting to see some cracking fancy dress outfits but was sorely disappointed, the most shocking thing I saw all night was a guy buying two bottles of Smirnoff for £250!!
Must have had a good night as my ears didn't stop ringing until Monday.
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An amazing collection of dance and crossover tunes from the 90s, '90 Club Hits From The 90's' is a much-needed 4 CD album packed with top club hits from the era that brought you the most hedonistic super-clubs, the biggest earning DJ's ever and the coolest remixes!
With tunes from Armand Van Helden, Robert Miles and Faithless this album encapsulates the absolute best of 90's dance music for the first time all in one package. For anyone who lived through the 90's, reading the tracklisting is like reading a who's who of the dance music charts, with songs such as Professional Widow by Tori Amos, Missing ' Everything But The Girl and The Brand New Heavies ' Dream on Dreamer, surely nothing can define an era more than this album?
Highlights include Baby D, Armand Van Helden, Berry, Orbital, Grace, Stretch n' Vern, Josh Wink, Lisa Marie Experience, Rui Da Silva, Sonique, Wamdue Project, Olive, Moloko, Corona, K Klass, Deee Lite, Robert Miles, Faithless, Tori Amos, Mario Piu, C&C Music Factory and much much more'
Club Connected rating 7 out of 10. An interesting journey back to the 90s.
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Believe the hype ' the warehouse project is back and this time its bigger and better then ever. Manchester's biggest series of nights has landed on the city again but this time in a new venue beneath Piccadilly station right in the heart of town. For everything the Boddingtons brewery lacked, beneath the streets makes up for plus more ' more bars, better sound system and more places to crash out and flake, for those points in the night were all you can do is chill out and listen. Contained within a series of arches and tunnels, the venue has gritty industrial excitement to it; more intimate and more involved with the audience. Although the capacity is smaller then last year, the slight decrease in size only makes the venue better. Coupled with more intense visuals and cracking line up, the warehouse project is the only place to seen this year.
For those of you who are familiar with resident Manchester night Ape, the line up will come as no surprise. Only on the Manchester scene for two years, launched as the brainchild of well established Manchester promoters, Sam and Lee aka Sabre, Ape reputation has exploded beyond belief, regularly filling venues of a capacity of over 2000 people. It combination of brakes, D n B, MC's and basically any thing with a good beat and base has kept Manchester's party army happy for the past two years. And tonight was no exception.
Arriving around eleven, the event was already well away. Hidden underneath the entrance to the station, it lacked the ques and security presence there was at the previous location. The surprise of the night was the last minute addition of Manhattan notoriety and chart favourite Mark Ronson, who despite sound problems went down a storm. But name of night had to go to Ape favourite DJ Yoda whose combination of classic tunes and deep beats was all round favourite ' who else could get away with dropping some Dolly Parton in the middle of a set and make it sound so good!!! The end of the night steered more toward harder breaks and drum and base, with only the hardest of drum n base fans remaining for high contrast and jungle drummers closing sets. Notable mention has to go to Exit Festival favourites Stanton warriors, who brought that festival feeling back to UK for a stunning set.
All in all, ape did not disappoint. The eclectic range of acts coupled with a top venue meant that the third weekend of this year's warehouse was one to remember. A high standard was set for the weeks to come, so make sure you don't miss out.
Sat 13th October
The Ape 2nd Birthday
High Contrast
Mark Ronson (just added)
Subfocus
DJ Yoda
Foreign Beggars [ Live ]
Q-bert
DJ Kentaro
Stanton Warriors
DJ Food
Youngblood Brass Band [ Live ]
Jungle Drummer Vs DJ FU
Rich Reason
9pm - 5am ///
£15
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Judgement Sundays have always been a highlight of our previous trips to the island. For months leading up to this year's holiday our eyes had been firmly focused on the Ibiza Party Calendar to check who was part of the line up. This year Judge Jules, Eddie Halliwell, Fred Baker and BK had been brought
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We arrived at Creamfields at 4.30 and were directed to the nearest car park. To our amazement we had to pay £5 to park. Having no choice in the matter, we parked up and made our way to the site. There were 1000's of frustrated clubbers queuing up, many of which had been there since 2.30. There weren't any toilets located outside the festival, so there were many desperate people running around trying to find somewhere to relieve themselves, most of them were directed by the police to the nearest bush. I then purchased my line up which cost me £6. It will never cease to amaze me how fleeced we are getting in clubland. They know we will pay it because we have paid £55 entrance and £5 to park, so we aren't gonna waste that money by missing our favourite dj's!!
'Everybody Stop Pushing the doors are opening soon' was the message heard from the helicopter circling above. The gates finally opened at 4.50pm, apparently after a little push from a frustrated crowd. Our wait wasn't so bad, it's the people who were standing there for nearly 2 hours I feel sorry for. So what was the reason?? We heard two rumours, one from the police saying Cream hadn't signed the Health and Safety license and couldn't open the door until they had & another from a worker saying they had no tills, whether either of them are true, I'm not sure, but who cares we were on our way in!!
The sun was creeping through the clouds and we made our way to the Goodgreef tent. The tent was huge with giant light bulbs running down the middle. The atmosphere was rolling, the tension must have been building up in the queue because Liverpool's party was already in full swing!!
We headed over to aftershock tent and as described in the flyer, it was an instant party. Free water pistols for all, after soaking everyone I knew(and some I didn't), I was challenged to a sumo duel, oh what fun it was too, we couldn't stop laughing, we were rolling around on the floor like two fast food addicts, struggling to get up.
We went inside the aftershock tent to see our very own Stu Bradley, and what a set it was. I was slightly dubious when I heard Stu was playing the aftershock tent but my worries were put to one side when Stu took to the decks. He had the 150 strong crowd in the palm of his hand. Starting off with Radio 4 - Absolute Affirmation [cosmos dub mix] nicely warming the crowd up, following with Depeche Mode - Enjoy The Silence, Stu's final tune was the highlight of my night and by the cheesy grins on everyone elses faces it seemed to be a winner all round, it was Yeke Yeke mixed with sweet dreams, the most perfect bootleg I have ever heard Well done Stu!!
Deep Dish in the Essential Mix Arena were next, the sound in this arena was awful, it was so quiet you could easily have a conversation without raising your voice, such a shame because it nearly took away from the atmosphere. Not what I expected from Pete and the boy's at Radio 1. Deep Dish were wicked as usual, playing deep dirty house with some nice surprises like Three Drives - Greece 2004 and finishing off with Deep Dish - Say Hello. Always a winner!!
New York's much acclaimed band was next. The Scissor Sisters on the Outdoor Stage, the crowd was huge, they were late starting, it was beginning to get cold so the anticipation was building, When Ana Matronic announced 'America may be the land of the brave but England was land of the rave' the crowd went wild. I wasn't a big Scissor Sisters fan before, obviously I have heard their hits, but they certainly surprised me. They had so many different songs ranging through all genres, mixing dance music, pop and glam rock in such a brilliant way; they had so much energy on stage, most of the time holding a steady 4/4 beat with some funky bass lines on top. When they played Laura all you could hear was 1000's of people singing along.. Another great tune was their cover of Comfortably Numb which I really enjoyed. I heard a few moans from the Pink Floyd faithfuls but I really enjoyed it as did thousands of others. Big up the Scissor Sisters!!
After a wander around we made our way to Goodgreef tent, on the decks was Paul Oakenfold. Good job we arrived early as the tent was full to the seams, 8000 excited clubbers packed in like sardines. The atmosphere was sensational, the tunes were banging out. Man with No Name - Teleportation, Oakie's 2004 remix of U2 - Beautiful day, Tina Hie - Traffic & a Sarah McGlachlan tune, im not sure of the name.
Next was our favourite South American - Hernan Cattaneo. This was definitely the highlight of the festival. Setting down his eclectic deep house from the beginning, he was toying with the crowd with his hypnotic vocals, mixing them in with his tribal & progressive beats. Always a favourite of ours, we dragged all of our gang to see him, as expected he won them all over. Including the banging trance fans along with the funky house divas!
Back to the Goodgreef tent for Ferry Corsten, the tent was rocking. The highlight of is set being Rock Your Body Rock!! The roars seemed to raise the roof. Ferry is my favourite of the trance superstars, he manages to retain the best parts of trance but leaves the cheesy repetitive rifts alone!! He knows when to bang it out, and bang it out he did, 4am on a wet windy morning in Liverpool 1000s of clubbers making shapes to his mix of Trance, Techno, Breaks and Hard House.
Our legs were starting to protest about the constant stomping they had received for the last 12 hours, we started to collect our friends and head for the gate. Creamfields is always fun, it's the big send off to the summer & hailing from Liverpool it's always a good opportunity to get together with your nearest and dearest.
By J McLean
www.cream.co.uk