After spending the best part of the '90s gurning to Oakey in The Courtyard, it has been quite some time since I have been to Nation and was unsure how it would be under new management.
As I've never had a bad night at Circus's nights in the Masque, the night promised to be good and the lineup was first rate.
We arrived at Nation at around 11.30, the night was completely sold out so we were expecting it to be really busy. The queue for internet-bought tickets and guest list had a waiting time of about 10 minutes.
We first headed to the main room which was packed, where Felix Da Housecat had already started.
I knew I had friends wandering around but didn't think I'd easily find them, so it was nice to bump into them left right and centre, particularly when they all congregated in the Courtyard for Eric Prydz. He was an unexpected treat! After only hearing his chart releases I really didn't pin much hope on a good set but was set straight soon after stepping into the courtyard. It was so busy it was difficult to get a spot to get in your dance swing where you weren't be jostled, but the crowd was really getting into it and the atmosphere was buzzing.
I wandered between rooms for a while to see what was on offer. I ended up back in the Courtyard to see Paul Woolford who really got the crowd going with his eclectic, original house.
Wanting to make sure I still had enough energy left to dance, I was a bit disappointed that SOS were on in the Annex at 3am (legs just aren't what they used to be!) I've been a massive Desyn Masiello fan since hearing his seminal Essential Mix in 2004, but I've only has the pleasure of seeing him once, as he hardly seems to venture up North and over the last 18 months he's taken some time out to produce and work with the other SOS members, Omid 16b and Demi. However they didn't disappoint. As they were on last the crowds had dispersed a bit so there was room to dance. The crowd loved them and everyone seemed to be big fans. I spoke to a guy who had never heard of them before but was really impressed.
In the Main Room, Groove Armada really got the crowd jumping with Superstylin' and all who saw them said they were brilliant.
Armin Van Helden took it back to the Oldschool with 'House of Pain' and 'We Want Your Soul' and the Courtyard loved him.
I was expecting to see some cracking fancy dress outfits but was sorely disappointed, the most shocking thing I saw all night was a guy buying two bottles of Smirnoff for £250!!
Must have had a good night as my ears didn't stop ringing until Monday.
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An amazing collection of dance and crossover tunes from the 90s, '90 Club Hits From The 90's' is a much-needed 4 CD album packed with top club hits from the era that brought you the most hedonistic super-clubs, the biggest earning DJ's ever and the coolest remixes!
With tunes from Armand Van Helden, Robert Miles and Faithless this album encapsulates the absolute best of 90's dance music for the first time all in one package. For anyone who lived through the 90's, reading the tracklisting is like reading a who's who of the dance music charts, with songs such as Professional Widow by Tori Amos, Missing ' Everything But The Girl and The Brand New Heavies ' Dream on Dreamer, surely nothing can define an era more than this album?
Highlights include Baby D, Armand Van Helden, Berry, Orbital, Grace, Stretch n' Vern, Josh Wink, Lisa Marie Experience, Rui Da Silva, Sonique, Wamdue Project, Olive, Moloko, Corona, K Klass, Deee Lite, Robert Miles, Faithless, Tori Amos, Mario Piu, C&C Music Factory and much much more'
Club Connected rating 7 out of 10. An interesting journey back to the 90s.
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Believe the hype ' the warehouse project is back and this time its bigger and better then ever. Manchester's biggest series of nights has landed on the city again but this time in a new venue beneath Piccadilly station right in the heart of town. For everything the Boddingtons brewery lacked, beneath the streets makes up for plus more ' more bars, better sound system and more places to crash out and flake, for those points in the night were all you can do is chill out and listen. Contained within a series of arches and tunnels, the venue has gritty industrial excitement to it; more intimate and more involved with the audience. Although the capacity is smaller then last year, the slight decrease in size only makes the venue better. Coupled with more intense visuals and cracking line up, the warehouse project is the only place to seen this year.
For those of you who are familiar with resident Manchester night Ape, the line up will come as no surprise. Only on the Manchester scene for two years, launched as the brainchild of well established Manchester promoters, Sam and Lee aka Sabre, Ape reputation has exploded beyond belief, regularly filling venues of a capacity of over 2000 people. It combination of brakes, D n B, MC's and basically any thing with a good beat and base has kept Manchester's party army happy for the past two years. And tonight was no exception.
Arriving around eleven, the event was already well away. Hidden underneath the entrance to the station, it lacked the ques and security presence there was at the previous location. The surprise of the night was the last minute addition of Manhattan notoriety and chart favourite Mark Ronson, who despite sound problems went down a storm. But name of night had to go to Ape favourite DJ Yoda whose combination of classic tunes and deep beats was all round favourite ' who else could get away with dropping some Dolly Parton in the middle of a set and make it sound so good!!! The end of the night steered more toward harder breaks and drum and base, with only the hardest of drum n base fans remaining for high contrast and jungle drummers closing sets. Notable mention has to go to Exit Festival favourites Stanton warriors, who brought that festival feeling back to UK for a stunning set.
All in all, ape did not disappoint. The eclectic range of acts coupled with a top venue meant that the third weekend of this year's warehouse was one to remember. A high standard was set for the weeks to come, so make sure you don't miss out.
Sat 13th October
The Ape 2nd Birthday
High Contrast
Mark Ronson (just added)
Subfocus
DJ Yoda
Foreign Beggars [ Live ]
Q-bert
DJ Kentaro
Stanton Warriors
DJ Food
Youngblood Brass Band [ Live ]
Jungle Drummer Vs DJ FU
Rich Reason
9pm - 5am ///
£15
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Judgement Sundays have always been a highlight of our previous trips to the island. For months leading up to this year's holiday our eyes had been firmly focused on the Ibiza Party Calendar to check who was part of the line up. This year Judge Jules, Eddie Halliwell, Fred Baker and BK had been brought
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'State of Exit' which is the official title of the festival, started back in 1999 as a reaction against the Milosovic political regime. Since then it has grown and grown and now gets an estimated 150,000 people through the door over the 4-day festival. It is situated within the walls of Petrovaradin Fortress, alongside the banks of the River Danube in Novi Sad, Serbia. This is truly a magical venue. The Views are awesome from the top of the fortress looking out down the river. My first reaction was Wow! What a place.
We originally decided to come to Exit as Glastonbury was taking a year off and just considered it a replacement, so we were prepared to camp in it's place. The campsite was located across the river from the fortress in a university park and it took about 15mins to walk across to the site. The campsite was very well organized. It had various amenities like a nearby bar, a free internet café and the best showers I've been in at a festival. It was very well located next to the beach on which they had a stage and played music daily from midday to around 7pm. Some good advice, as with everywhere, is to take your earplugs if you will need to get much sleep. The festival ends around 8am ever morning, then the beach starts around midday. That gives you a 4 hour gap in which to get some rest if you need it!
There are over 20 stages & arenas at Exit with every style of music from the Main stage to the Fusion stage, The Dance arena to the reggae stage, The World Music stage to the Happynovisad stage and the Metal Hammer stage to the Elektrana stage. Along with a Cinema and a 'Café Del Mar' Style Beach Bar ' the Café Del Danube, this festival seems to have it all. Covering such artists this year as Franz Ferdinand, Suzanne Vega, Billy Idol, The Pet shop boys, The Sissor Sisters, The Cuban Brothers, Paulo Mojo, Marcus James, Layo & Bushwacka, Steve Lawler , James Holden, Hernan Cattaneo, Nick Warren, James Zabiela, Goldie, Marco Nastic, Derrick May, Umek, Jeff Mills, Dave Clarke and many, many other acts. Add all this to the fact that there is a real friendly and up for it crowd which made for a wicked atmosphere. What more could you ask for?
Navigating around the festival site sometime takes a while just because of the sheer amount of people around. But it is an awesome venue with loads of places to explore and discover. Even after a couple of days there, we were still finding out new things. There are shops, art galleries and places of interest to investigate with numerous stages dotted around the fortress. There are enough bars scattered around by the side of each stage, so it's not too hard to get a drink. The drinks selection at the bar was limited to Tuborg beer, wine, water and soft drinks. Although we did discover after the first few days that the Café Del Danube served cocktails and shooters which was a relief to us all.
Some of the highlights of Exit for me were near the end of the first night at the Dance Arena, Dave Clarke was on the decks and the sun came up to reveal thousands of people in this big moat around the base of the fortress. It was a surreal moment. Other highlights include The Cuban Brothers completely having it on the MTV Arena, Billy Idol drawing the biggest crowd of the festival, Nick Warren playing a blinder - absolute quality, and James Zabiela closing the Dance Arena on the Sat morning with Goldie in Attendance on the mic and the local police with their shirts undone dancing on the stage getting down to the music! Where else would u ever see that happening?
Overall, Exit is amazing. It is a must for next year's calendar if you want to do something that little bit different. The Serbian people could not have made us more welcome, the weather's really hot, the music's good and it's really cheap to go there. What more could you want! It is an experience and stands out as one of the best festivals I've ever been to.
I would like to thank the people we met along the way and who helped make our stay that little bit easier. Big thanks to all the people at Exit & everyone at the campsite, the Irish contingent and all our Serbian friends we met along the way.
Thanks and see you next year. . .
Festival Quotes:
"Exit festival was definitely the highlight of my year so far. It was truly amazing. The vibe was so positive from the people and having Goldie jump on the microphone at the end as I played Inner City Life is something I'll never forget. It was a gig that I could've only dreamt about and I'll still be buzzing from it for years to come" James Zabiela
'An absolutely amazing festival both in terms of the crowds that came and the people behind the scenes. The setting was amazing with the sun coming up and the sound system was intense ( as opposed to in tents which would normally be the case at a festival but I digress), I was so happy that I could finally be a part of this and
would like to thank everyone that came along.'
Dave Clarke
Related websites:
www.exitfest.org
www.gradnovisad.org.yu
www.volanbusz.hu/english
By Stu Bradley