Goodgreef & Fire It Up
More reviews
Circus, 29/10/2007 Circus, 29/10/2007 After spending the best part of the '90s gurning to Oakey in The Courtyard, it has been quite some time since I have been to Nation and was unsure how it would be under new management. As I've never had a bad night at Circus's nights in the Masque, the night promised to be good and the lineup was first rate. We arrived at Nation at around 11.30, the night was completely sold out so we were expecting it to be really busy. The queue for internet-bought tickets and guest list had a waiting time of about 10 minutes. We first headed to the main room which was packed, where Felix Da Housecat had already started. I knew I had friends wandering around but didn't think I'd easily find them, so it was nice to bump into them left right and centre, particularly when they all congregated in the Courtyard for Eric Prydz. He was an unexpected treat! After only hearing his chart releases I really didn't pin much hope on a good set but was set straight soon after stepping into the courtyard. It was so busy it was difficult to get a spot to get in your dance swing where you weren't be jostled, but the crowd was really getting into it and the atmosphere was buzzing. I wandered between rooms for a while to see what was on offer. I ended up back in the Courtyard to see Paul Woolford who really got the crowd going with his eclectic, original house. Wanting to make sure I still had enough energy left to dance, I was a bit disappointed that SOS were on in the Annex at 3am (legs just aren't what they used to be!) I've been a massive Desyn Masiello fan since hearing his seminal Essential Mix in 2004, but I've only has the pleasure of seeing him once, as he hardly seems to venture up North and over the last 18 months he's taken some time out to produce and work with the other SOS members, Omid 16b and Demi. However they didn't disappoint. As they were on last the crowds had dispersed a bit so there was room to dance. The crowd loved them and everyone seemed to be big fans. I spoke to a guy who had never heard of them before but was really impressed. In the Main Room, Groove Armada really got the crowd jumping with Superstylin' and all who saw them said they were brilliant. Armin Van Helden took it back to the Oldschool with 'House of Pain' and 'We Want Your Soul' and the Courtyard loved him. I was expecting to see some cracking fancy dress outfits but was sorely disappointed, the most shocking thing I saw all night was a guy buying two bottles of Smirnoff for £250!! Must have had a good night as my ears didn't stop ringing until Monday. READ MORE >
90 Club Hits From The 90's 90 Club Hits From The 90's An amazing collection of dance and crossover tunes from the 90s, '90 Club Hits From The 90's' is a much-needed 4 CD album packed with top club hits from the era that brought you the most hedonistic super-clubs, the biggest earning DJ's ever and the coolest remixes! With tunes from Armand Van Helden, Robert Miles and Faithless this album encapsulates the absolute best of 90's dance music for the first time all in one package. For anyone who lived through the 90's, reading the tracklisting is like reading a who's who of the dance music charts, with songs such as Professional Widow by Tori Amos, Missing ' Everything But The Girl and The Brand New Heavies ' Dream on Dreamer, surely nothing can define an era more than this album? Highlights include Baby D, Armand Van Helden, Berry, Orbital, Grace, Stretch n' Vern, Josh Wink, Lisa Marie Experience, Rui Da Silva, Sonique, Wamdue Project, Olive, Moloko, Corona, K Klass, Deee Lite, Robert Miles, Faithless, Tori Amos, Mario Piu, C&C Music Factory and much much more' Club Connected rating 7 out of 10. An interesting journey back to the 90s. READ MORE >
The Warehouse Project The Warehouse Project Believe the hype ' the warehouse project is back and this time its bigger and better then ever. Manchester's biggest series of nights has landed on the city again but this time in a new venue beneath Piccadilly station right in the heart of town. For everything the Boddingtons brewery lacked, beneath the streets makes up for plus more ' more bars, better sound system and more places to crash out and flake, for those points in the night were all you can do is chill out and listen. Contained within a series of arches and tunnels, the venue has gritty industrial excitement to it; more intimate and more involved with the audience. Although the capacity is smaller then last year, the slight decrease in size only makes the venue better. Coupled with more intense visuals and cracking line up, the warehouse project is the only place to seen this year. For those of you who are familiar with resident Manchester night Ape, the line up will come as no surprise. Only on the Manchester scene for two years, launched as the brainchild of well established Manchester promoters, Sam and Lee aka Sabre, Ape reputation has exploded beyond belief, regularly filling venues of a capacity of over 2000 people. It combination of brakes, D n B, MC's and basically any thing with a good beat and base has kept Manchester's party army happy for the past two years. And tonight was no exception. Arriving around eleven, the event was already well away. Hidden underneath the entrance to the station, it lacked the ques and security presence there was at the previous location. The surprise of the night was the last minute addition of Manhattan notoriety and chart favourite Mark Ronson, who despite sound problems went down a storm. But name of night had to go to Ape favourite DJ Yoda whose combination of classic tunes and deep beats was all round favourite ' who else could get away with dropping some Dolly Parton in the middle of a set and make it sound so good!!! The end of the night steered more toward harder breaks and drum and base, with only the hardest of drum n base fans remaining for high contrast and jungle drummers closing sets. Notable mention has to go to Exit Festival favourites Stanton warriors, who brought that festival feeling back to UK for a stunning set. All in all, ape did not disappoint. The eclectic range of acts coupled with a top venue meant that the third weekend of this year's warehouse was one to remember. A high standard was set for the weeks to come, so make sure you don't miss out. Sat 13th October The Ape 2nd Birthday High Contrast Mark Ronson (just added) Subfocus DJ Yoda Foreign Beggars [ Live ] Q-bert DJ Kentaro Stanton Warriors DJ Food Youngblood Brass Band [ Live ] Jungle Drummer Vs DJ FU Rich Reason 9pm - 5am /// £15 READ MORE >
Judgement Sundays Judgement Sundays Judgement Sundays have always been a highlight of our previous trips to the island. For months leading up to this year's holiday our eyes had been firmly focused on the Ibiza Party Calendar to check who was part of the line up. This year Judge Jules, Eddie Halliwell, Fred Baker and BK had been brought READ MORE >
Goodgreef & Fire It Up Picture

Tall Trees, Yarm

17th February 2007

43
43

goodgreef0207-2.jpggoodgreef0207-3.jpg


I always find it quite exciting when I'm travelling to clubs that I've never been to but this night I was really up for it as one of my favourite club brands was hosting a night at a club.


I've heard many good things about, Tall Trees. On this occasion Goodgreef teamed up with Eddie Halliwell's 'Fire It Up' brand to make the night extra special. For me the line-up was perfect, I've travelled far across the country to see just one of these djs and here I have it all in one night at one club. I didn't know what to expect when I arrived as I'd been told that the club was within a hotel complex, but I didn't realise how big the complex actually was. As we arrived the queue was already massive, full of clubbers bursting with excitement which gave out the 'feel good' vibe to the evening. Luckily for us, we didn't have to queue so it was straight in and the search was on for the toilet then the bar.


Once we found the bar and had a drink in our hands, we were ready for a little wander around the club. It turned out to be quite a big wander as the club was huge! I've been told that it was the biggest club in the country with a capacity of 6000, but you don't really appreciate the size until you're actually at the venue. There were 3 floors packed and one huge dance floor, which was rammed to start from finish. There were plenty of bars around which made it quite a hassle free experience to get a drink, which means more time on the dance floor! We were all ready to go so we got to the front towards the dj box and began to dance the night away.


Goodgreef resident Barry Connell kicked off the evening with quite a wicked set, aimed nicely at warming the night up. By half ten the crowd was going for it and the hands were in the air, you knew at this point that it was going to be a quality night that laid ahead. Next up was the ever rising star Sean Tyas, one of the main reasons why I came to this event. He started off with a remix which I think could possibly be AC/DC which was really banging, just the way I like it. For nearly an hour and a half he never slowed up, he just kept dropping tune after tune which were mainly his remixes or his reworks. But when he dropped 'Lift', the crowd went wild, so did I come to think of it. The crowd worshipped him, he worshipped the crowd and this set the standard for the whole night. I was a bit gutted that he was the first of the headliners to go on, but when Fred Baker informed me that he was on last the smile was firmly put back on my face. Next up was a live performance from Giuseppe Ottaviani who never fails to impress me, and he certainly never on this occasion. He played quite a bit of new material which was fairly banging and certainly kept the crowd interested. We got right to front to see close up what he actually does when he plays; I've had suspicions in the past about some live acts that are not actually live. After close observation I was convinced that he was genuinely live. There was no security guarding the front to prevent people from just climbing up, and before you know it some arsehole is up on the stage acting the goat and started knocking his equipment. You could see Giuseppe getting quite agitated and surprisingly it took a fair amount of time for someone from security to actually realise that this prat could potentially ruin the set. Luckily the set wasn't affected, and at this point they decided to put someone at front to stop idiots getting up. Something they should've done in the first place. Towards the end of his set he was in full swing and he played out 'Linking People', but once he reached the peak of the tune he began playing 'For An Angel' which really got the crowd into frenzy, me included. Then he ended his quality set with 'Through Your Eyes', which is getting hammered by all the top djs. The night was firmly under way I was loving every minute of it.


Next up was the main headliner, the man most people came here for. Eddie Halliwell. He's going from strength to strength, and with the fan base he possesses he certainly going to get even bigger. As soon as the crowd got an inkling that he was in the room, they began chanting 'EDDIE EDDIE EDDIE'. I've only ever seen a crowd chant so passionately to a dj at one other club, and that was the courtyard at Cream when they would chant 'OAKEY OAKEY OAKEY'. True to his style he banged it out in only a fashion achievable by the man himself. His sheer passion and energy was evident, and his interaction with the crowd gave his set that extra kick. His technical ability is enviable, and is something which I observed for a bit. He never slowed up, always on the ball. The tunes he played out were exceptional, always keeping the clubbers moving. His final tune which was Armin's 'Communication ' Part 3' which was greeted which sheer enthusiasm from the crowd. At this point Eddie stood up onto the ledge of the dj box and then stage dived. He was treated like a rock star, everybody trying to get a touch of him. It took him a bit to get back onto the stage but he managed it. That's what I call interacting with the crowd.


Its 2.45am at this point, the dance floor still packed wanting more and Fred Baker presented himself. The Belgian dj's still making a name for himself over here, but he's firmly becoming one of the top djs around. But it was only recently I discovered that he was responsible for making tunes such as 'Groovezone ' Eisbaer' & 'Y-Traxx - Mysteryland. I'm sure if everyone knew this then he'd be greeted with even more enthusiasm. And fortunately for us he decided to drop 'Eisbaer' during his set which really made the night complete for me. Fred Baker is also another technically gifted dj, who seems to make mixing tunes look effortless. Every tune dropped was mixed to perfection with minimal effort, something that really impresses me about him. He also plays the tunes out with genuine passion, doesn't bounce round as much as Eddie but nonetheless an excellent dj. It came to 4am, the main lights were turned on and the night reached its end. After plenty of chanting off the crowd and also Fred himself, the security still wouldn't allow him to play one more tune which was a bit boring. So the night ended, everyone happy as ever could be including myself. A two-hour awaited me to get home but it was definitely worth it, one of the best nights I've had.


As always the Goodgreef team put everything they had into making the night a success and linking up with Eddie's 'Fire It Up brand' made it even better. I definitely look forward to next Goodgreef & Fire It Up night at Nation in the coming weeks. The night at Tall Trees was a huge success in my opinion, just full of 'Up for It' clubbers aiming to have the best night possible. My only complaint which is a pretty small complaint is that the bar shut at 3am. I couldn't get a bottle of water anywhere and I was gasping, so it was an hour of having an incredibly dry mouth which isn't good in a situation like dancing your arse off. Maybe they should just stop selling the alcohol and carry on selling soft drinks in the future. All I can say now really is that I can't wait until Goodgreef do another night there because I'll definitely be there.


By Alan Tinsley