Good Vibrations
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Circus, 29/10/2007 Circus, 29/10/2007 After spending the best part of the '90s gurning to Oakey in The Courtyard, it has been quite some time since I have been to Nation and was unsure how it would be under new management. As I've never had a bad night at Circus's nights in the Masque, the night promised to be good and the lineup was first rate. We arrived at Nation at around 11.30, the night was completely sold out so we were expecting it to be really busy. The queue for internet-bought tickets and guest list had a waiting time of about 10 minutes. We first headed to the main room which was packed, where Felix Da Housecat had already started. I knew I had friends wandering around but didn't think I'd easily find them, so it was nice to bump into them left right and centre, particularly when they all congregated in the Courtyard for Eric Prydz. He was an unexpected treat! After only hearing his chart releases I really didn't pin much hope on a good set but was set straight soon after stepping into the courtyard. It was so busy it was difficult to get a spot to get in your dance swing where you weren't be jostled, but the crowd was really getting into it and the atmosphere was buzzing. I wandered between rooms for a while to see what was on offer. I ended up back in the Courtyard to see Paul Woolford who really got the crowd going with his eclectic, original house. Wanting to make sure I still had enough energy left to dance, I was a bit disappointed that SOS were on in the Annex at 3am (legs just aren't what they used to be!) I've been a massive Desyn Masiello fan since hearing his seminal Essential Mix in 2004, but I've only has the pleasure of seeing him once, as he hardly seems to venture up North and over the last 18 months he's taken some time out to produce and work with the other SOS members, Omid 16b and Demi. However they didn't disappoint. As they were on last the crowds had dispersed a bit so there was room to dance. The crowd loved them and everyone seemed to be big fans. I spoke to a guy who had never heard of them before but was really impressed. In the Main Room, Groove Armada really got the crowd jumping with Superstylin' and all who saw them said they were brilliant. Armin Van Helden took it back to the Oldschool with 'House of Pain' and 'We Want Your Soul' and the Courtyard loved him. I was expecting to see some cracking fancy dress outfits but was sorely disappointed, the most shocking thing I saw all night was a guy buying two bottles of Smirnoff for £250!! Must have had a good night as my ears didn't stop ringing until Monday. READ MORE >
90 Club Hits From The 90's 90 Club Hits From The 90's An amazing collection of dance and crossover tunes from the 90s, '90 Club Hits From The 90's' is a much-needed 4 CD album packed with top club hits from the era that brought you the most hedonistic super-clubs, the biggest earning DJ's ever and the coolest remixes! With tunes from Armand Van Helden, Robert Miles and Faithless this album encapsulates the absolute best of 90's dance music for the first time all in one package. For anyone who lived through the 90's, reading the tracklisting is like reading a who's who of the dance music charts, with songs such as Professional Widow by Tori Amos, Missing ' Everything But The Girl and The Brand New Heavies ' Dream on Dreamer, surely nothing can define an era more than this album? Highlights include Baby D, Armand Van Helden, Berry, Orbital, Grace, Stretch n' Vern, Josh Wink, Lisa Marie Experience, Rui Da Silva, Sonique, Wamdue Project, Olive, Moloko, Corona, K Klass, Deee Lite, Robert Miles, Faithless, Tori Amos, Mario Piu, C&C Music Factory and much much more' Club Connected rating 7 out of 10. An interesting journey back to the 90s. READ MORE >
The Warehouse Project The Warehouse Project Believe the hype ' the warehouse project is back and this time its bigger and better then ever. Manchester's biggest series of nights has landed on the city again but this time in a new venue beneath Piccadilly station right in the heart of town. For everything the Boddingtons brewery lacked, beneath the streets makes up for plus more ' more bars, better sound system and more places to crash out and flake, for those points in the night were all you can do is chill out and listen. Contained within a series of arches and tunnels, the venue has gritty industrial excitement to it; more intimate and more involved with the audience. Although the capacity is smaller then last year, the slight decrease in size only makes the venue better. Coupled with more intense visuals and cracking line up, the warehouse project is the only place to seen this year. For those of you who are familiar with resident Manchester night Ape, the line up will come as no surprise. Only on the Manchester scene for two years, launched as the brainchild of well established Manchester promoters, Sam and Lee aka Sabre, Ape reputation has exploded beyond belief, regularly filling venues of a capacity of over 2000 people. It combination of brakes, D n B, MC's and basically any thing with a good beat and base has kept Manchester's party army happy for the past two years. And tonight was no exception. Arriving around eleven, the event was already well away. Hidden underneath the entrance to the station, it lacked the ques and security presence there was at the previous location. The surprise of the night was the last minute addition of Manhattan notoriety and chart favourite Mark Ronson, who despite sound problems went down a storm. But name of night had to go to Ape favourite DJ Yoda whose combination of classic tunes and deep beats was all round favourite ' who else could get away with dropping some Dolly Parton in the middle of a set and make it sound so good!!! The end of the night steered more toward harder breaks and drum and base, with only the hardest of drum n base fans remaining for high contrast and jungle drummers closing sets. Notable mention has to go to Exit Festival favourites Stanton warriors, who brought that festival feeling back to UK for a stunning set. All in all, ape did not disappoint. The eclectic range of acts coupled with a top venue meant that the third weekend of this year's warehouse was one to remember. A high standard was set for the weeks to come, so make sure you don't miss out. Sat 13th October The Ape 2nd Birthday High Contrast Mark Ronson (just added) Subfocus DJ Yoda Foreign Beggars [ Live ] Q-bert DJ Kentaro Stanton Warriors DJ Food Youngblood Brass Band [ Live ] Jungle Drummer Vs DJ FU Rich Reason 9pm - 5am /// £15 READ MORE >
Judgement Sundays Judgement Sundays Judgement Sundays have always been a highlight of our previous trips to the island. For months leading up to this year's holiday our eyes had been firmly focused on the Ibiza Party Calendar to check who was part of the line up. This year Judge Jules, Eddie Halliwell, Fred Baker and BK had been brought READ MORE >
Good Vibrations  Picture

Gold Coast

11th February 07

44
44

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For the past four years Good Vibrations has become a must do on the Australian music festival calendar and has a reputation for providing a quality festival with summer friendly beats. Previous artists have included James Brown, Moloko and the Scissor Sisters. Good Vibrations occurs in various locations such as; Sydney, Melbourne, Perth, Singapore and the Gold Coast. However, this year it was better known by the Gold Coast crowd as 'mediocre vibrations'. The performers were great and included legendary acts such as the Beastie Boys, Jurassic 5 and Snoop Dogg. However, occasionally the performances where overshadowed by flaws of the venue.


There were four stages; Roots, Laundry, B live and Good Vibrations. At the Roots stage, the larger than life beatboxer Rahzel wowed us with his vocal bass and treble talents. While spread throughout the venue, the predominantly Aussie crowd were impressed by its home grown talent who included Resin Dogs, Operator Please, The Winnie Coopers, Baby Gee, Chris Wilson and the Vinyl Slingers. However, the crowd favourites were Snoop Dogg and the Beastie Boys. The crowd bumped and grinded to Snoops popular songs such as Gin & Juice, What's My Name, Pump Pump, Nuthin' But A G, Drop it like its Hot. My personal favourite was the Beastie Boys who were wearing business suits and guzzling champagne. They had an incredible set that included Mix Master Mike although they mainly played greatest hits and with five brilliant albums to draw upon they had the crowd rocking?


The festival was located at 'the Spit' on the Queensland Gold Coast (approximately 50 min drive south from Brisbane) and sorry to say, the poor organisation and facilities of the venue did start to detract from the event. There was dust, half an hour long toilet lines, numerous mechanical malfunctions and ego driven security guards. An example of this was Jurassic 5 who were delayed by 45 minutes due to mechanical difficulties and when the problems were finally rectified the crowd was greeted by a security guard on stage who told the crowd to settle down or else the act would not come on stage at all. At this point, due to the poor ventilation, dust and heat most of the crowd left to see Snoop Dog who was performing at the outside stage. I was at Summa Field Dayze a few weeks before at the same venue and it correctly utilised the space by having floor matting, increased amenities, markets and a variety of food stalls which gave the venue a cool relaxed vibe that was sorely missed by the Good Vibrations audience.


Thankfully, there was enough good music featured to get past the shortcomings. However, I would seriously consider going to Sydney or Melbourne next year instead to see what their venues had to offer and to find out if they have the 'Good' vibrations.



Annabelle Evans